53 tracks on 2 cds!

august darnells swaggering alter ego kid creole dons his famed fedora and gets back in stride with his first high profile studio album in over 10 years: i wake up screaming. darnell first came to prominence during the mid-70s in new york, forming dr. buzzards original savannah band with his brother stony browder before producing a slew of eccentric projects for ze records including cristina, don armandos seventh avenue rumba band and gichy dan, as well as sporting his trademark zoot suit and fedora for the first time for the debut recordings by kid creole & the coconuts. signing on to chris blackwells island records and seymour steins sire imprint, darnell would become one of the 80s most unique and recognisable figures, scoring a brace of unforgettable chart hits mixing heavyweight tropical grooves with plenty of lyrical bite: -stool pigeon-, -annie, im not your daddy-, -im a wonderful thing baby- and more. with cover artwork echoing his love of 1940s film noir, this album explores the vibrant mind of darnell with a variety of themes and styles. recorded at darnells own studio in sweden and mixed by brennan green (chinatown recordings), i wake up screaming is an essential return from one of the truly unique characters in the world of music.

tunisia has never been a referent place in the electronic music world. it was better known for its beaches and sunny weather, hardly for its political regime but the events of 2011 brought quite some changes about that. these changes have been nurturing in the underground of the country until exploding to the face of the world, with fantastic momentums of rebellion, courage and union. shinigami sans album is a signal that emanates from the underground of tunisia: a hybrid of dubstep, techno and noise, very dark, but most importantly, very true. this is neither the sound of london or berlin, and if a couple of ingredients from here and there are recognizable in -toys-, it is most definitely the electronic sound of tunisia we bring to you here. from the dusty, 8-bit dubstep of -lofi- and -toys- to the dark techno rollers -post trauma- and -migra-, you will go by tribal beats, eerie atmospheres and heavily distorted sound textures. shinigami san draws a panorama that shows both impressive skills and style. -toys- is not only about excellent and true music, but also about original product design and diy manufacturing. this 450 digipack limited edition was hand-printed and crafted using silk screen printing, rulers and cutters. the graphic design is based on drawings from sabrina ben hadj ali, and each cd comes with 3 original prints on the theme of the album. today, we are up to put tunisia under the radar of electronic beat diggers, today, we bring you the first album of tunisian-born shinigami san: nothing cheesy here, just a raw, brutally honest vibe.

these are not just simple beats: these are tunebeats! yesterday, today and tomorrow in 18 incredible tracks! selected and mixed by tuneboy !! need to say more?

nice price deal !!! dunkle, treibende elektro-beats treffen auf raue gitarren. die geschwindigkeit �berschl�gt sich, die b�sse stampfen. mit >letters and signs - part one< ver�ffentlichen northern lite ihr sechstes studioalbum. seit zw�lf jahren schie§t die band von erfurt aus elektrometeore ins firmament. die gangart ist schneller, bestimmter und spannungsgeladener als je zuvor. <p>die stilistik der zehn songs bleibt im ohr kleben und macht sich besonders in den beinen bemerkbar. northern lite beweisen: elektronische musik und klassisches songwriting schlie§en einander nicht aus. schon das titelst�ck >letters & signs< verschmilzt hymnische melodien, treibende gitarren und synthie-sweeps zu einem energiegeladenen amalgan. >i grope in the dark / i cant find my mark / i touch and i feel, but nothing is real< - gro§e pop-lyrik �ber den orientierungsverlust inmitten eines wusts aus zeichen und dem versuch der neuordnung. ein spiel freier kreativer kr�fte, welches im fr�hjahr 2010 mit einem update verfeinert wird. >letters & signs - part two< wird den fokus in richtung club verschieben - ein album f�r die tanzfl�che und lange clubn�chte. <p>northern lite spielen diesen sommer die angesagtesten festivals, darunter das >sonne, mond und sterne - festival<, wo sie neben sven v�th und peter fox ein weiteres musikalisches highlight setzen werden. die fans sind in freudiger erwartung auf die pr�gnanten elektronischen sounds und die unique liveshow der band. die beweist, dass dieser sound nicht nur in den clubs funktioniert. durch die single >letters & signs werden auch im radio die t�ren aufgehen, das video wird bei den entsprechenden kan�len wie just music oder tape tv seinen platz finden und ende herbst werden bundesweit wieder die clubs bespiel

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsun� music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

pursuit grooves on legendary tectonic, just listen

heidis-run jackathon parties have been hitting cities internationally since late 2009, now with residencies in london, berlin, paris, miami, manchester and amsterdam Ð jackd house is truly taking a fair slice of the scene. the compilation isnt an add on, a supplement to the nights: its deep grounded sound and thoughtfully crafted line-up backs up the global club-motion that is emerging within heidis control.mix favourites step up as the deep and bassy foundings of deetrons the juggler, funk-told incoming bitch by soul clap and move-strong whiff it yawl from jamie jones. although the first mix this year to really engage in houses history, its freedom status Ð it escapes cliche, avoiding big cheez for serious deep, electronics: heidi keeps the listing real. the especially-recorded vocal drops of house-legend derrick carter also make the record what it is, his infamous chicago-born vox gives residence to what heidis trying to do: resurrect the old school.dancefloor destruction is on pause, the club is still a playground, still moving hard theres just more room to play now, as steve bugs last track titles: jacks back.

freaky experimental dubstep / bass music

dub police are proud to announce the release of their first artist album courtesy of birmingham-based producer emalkay, who is set to release his hotly anticipated debut lp eclipse this spring. first making a name for himself with early releases on his own morphic sounds imprint, emalkay has continued to push the boundaries of underground bass music ever since, delivering a slew of huge releases on the way. having been an integral part of the dub police stable ever since his >explicit / heroics< 12 inch for the label in 2009, emalkay has gone from strength to strength with a series of heavyweight tracks that includes the phenomenal >when i look at you< and recent smash >crusader<. comprised of 11 tracks, >eclipse< is a bold and powerful album encapsulating perfectly everything that makes emalkay such a prodigious talent, effortlessly showcasing the depth and diversity of his sound while always remaining true to his inimitable style. as addictive as it is hard-hitting, the album doesnt just provide a collection of dancefloor tracks, but a confident and coherent artistic statement.

the fourth in the successful compilation series, chilled r&b summer 2011, this triple album contains current laid back r&b hits alongside a wealth of huge classics from the 70s, 80s, 90s and 00s. the new 60 track collection is led by tracks that perfectly encapsulate this vibe including aloe blacc -i need a dollar-, rihanna -russian roulette-, mariah carey -my all-, nelly -just a dream-, michael jackson -human nature-, sade -no ordinary love- and bobby brown -rock wit cha-. also featured are huge laid back hits such as jennifer lopez -if you had my love-, jason derulo -ridin solo acoustic version-, usher -you make me wanna- and alicia keys -you don t know my name-. plus, other superstars appearing on the compilation with chilled classics include al green, whitney houston, justin timberlake, kelly rowland, lemar, r.kelly, tlc, craig david and ne-yo.

underwater techno. that could be >leaning over backwards< in just two words. tobias freunds debut album for ostgut ton also serves as the longplayer introduction for his tobias. moniker, gives a fascinating and profound insight into his special world of music and sound science.

second album from jens moelle and ismail tuefekci aka digitalism.

bullet train is the brainchild of marc thomas one of the hottest properties in dubstep at the moment. currently riding high with the massive wave of interest surrounding his i-dj coverage, marc s consistent bullet train label has been a revelation since its inception 2 years ago. this cd celebrates what the label stands for, taking in remixes & tracks from the likes of unicorn kid, borgore, bertie blackman, roska & last japan. for existing fans & newcomers to the label this cd provides a snapshot of all that is good in the world of dubstep.

mixed by the prophet & neophyte

the glitz have made people smile more than just one time during the last years. who has seen them knows that this is their life - their passion. so it was just a question of time they would honor us with their first long player. because of many releases at ideal, material-series, voltage-musique and pocketgame it is no surprise that this is no common album. the glitz are always different, always peculiar. fabulous remixes by daniel steinberg, nick curly, mihalis safras, kombinat100 and many others on this particular album collection prove this the truth. hugh and small glitz-hits were pimped with reinterpretations. blake baxter delights with a chicago-like smasher and tiny cheerful dub-melodies by soultek alternate with nic fanciulli s technoid grooves. on remixed you find various facets of club music by the glitz. a varied journey through the dance floors of this world. and the voyage has started just now

whats the point of a concept album when no one hears the concept in it? maybe that it sets a boundary, forcing mr artist to go even deeper into the fewer possibilities left. creativity by limitation and all thatÉ well spare you further theorizing. >fever<, the third longplayer by dutch low end scientist 2562, then, is his disco album: a thorough reinterpretation of underground disco music from the mid seventies to the early eighties, with his own birthyear 1979 as the gravitational point. all based on one simple rule: every single sound, from the smallest background shiver to the most obese sub bass, originates from a disco record Ð no additional synthesizers, drumcomputers or other samplesources involved. disco-edits, italo homages or filtered loops then? hardly. this is genuinely new and retro-free music that respectfully flips its sources so hard even the biggest paradise garage connaisseurs wont recognize what just hit them. or in the words of musical allies martyn and pinch, who independently drew the same conclusion: >sorry, but i dont hear that whole disco story in there. this simply sounds like you.< completely failed as a concept album, then Ð and all the better for it.

the latin influence regeins supreme in south beach,miami,so who better to soundtrack the 2011 parties than spanish superstars dj chus & david penn.mixing classic vibes with contemporary flavours,this is a hedonistic indulgence of pure, beatdriven house.

2x cd with nice deep house tracks

space invadas is a project of two well-known artists: katalyst and steve spacek. space invadaÕs album soul-fi is receiving rave reviews and airplay from tastemakers around the globe as well as having 4 singles smashed on national radio in australia where the record has been released earlier this year. the album is being championed abroad by likes of gilles peterson on bbc1, garth trinidad on kcrw in la, tyler askew in nyc, andrew jervis (ubiquity) in san fran to name just a few. getting much love in the us and throughout europe where the record is yet to be released via bbe records. looks like its going to be a big year ahead for space invadas.

>we have no agenda. we are not a brand. we stand for people and music. we believe in the beauty of artefacts. we stand for a sense of community. we respect the dance floor because the dance floor never lies.<

it was 1975 and a mere 24 years since ike turner lit the blue touch paper on rock n roll with the incendiary rocket 88 , when a small independent record company emerged from a couple of second-hand record stores in london. it was just before the fuse was lit on another stage in the rock n roll story with the emergence of punk rock and chiswick records helped strike the match - commencing with the release of the count bishops speedball ep. with the same people at its head, the label evolved into ace records and they are proud to be celebrating their 30th anniversary in 2005. ace has become the leading in-depth catalogue company in the world and has issued a vast amount of the best and most important music released in the us from the time of that first ike turner recording to the launch of their own company. that crucial period forms the core of the extensive ace catalogue. they have often wandered off this central path, with excursions into world music, some home-made recordings of local acts and have investigated beat music from belfast to tokyo. but it is at the heart and soul of rock n roll that you will find ace putting out that wild and frantic, deep and romantic, funky and punky music that will sure nuff turn you on!

5 cd compilation of all 80s hits! incl. depeche mode, goldie, madhouse, the waterboys, a-ha, simply red..

benefitting from a market-leading front-line r&b output, this xmas rhino shift direction from their traditional sony-led r&b yearbook album to a release a brand new r&b super brand that looks set to become a true industry heavyweight

welche musik begleitet dich bei den schoensten augenblicken und laesst dich von filmreifen sonnenuntergaengen an schneewei§en straenden traeumen? die antwort: early morning breaks. die chillout, lounge und deep house mix show beim sender planet more music radio hat laengst kultcharakter, die sessions von djs wie chris coco, dj jondal, dj mark, sinan mercenk, blank and jones und jan lang (fil-a-fil) werden nicht nur gern zum -runterkommen- nach dem clubbesuch gehoert, sondern auch zum -weekend closing- am sonntag abend. kein wunder, dass die cd-compilation zur sendung seit einem jahr ohne ermuedungserscheinungen auch bundesweit und sogar international in tausenden cd playern und ipods laeuft. auch early morning breaks vol 02 schickt sich an, so ein dauerbrenner zu werden. die besten chill-beats, beachhouse-tracks und lounge-grooves aus der show sowie mehrere exklusive und bisher unveroeffentlichte neu-entdeckungen wurden von dj mark (planet more music radio) und peacelounge-labelchef christian arndt zusammengestellt und sorgen in einem sommerlich-flauschigen mix fuer den richtigen sound zu jeder stimmung. ibiza resident chris coco steuert mit -my beach house- seinen traum von sonne, meer und strand bei und laesst den sommer im zeitraffer vorbeifliegen. ungewohnt ruhige klaenge liefert eddie thoneick, deutschlands house export nummer eins diesmal ab: sein -love under pressure- gibt es im wunderbar entspannten acoustic mix. laessige bossa-klaenge duerfen natuerlich auch nicht fehlen.

debut album from curv on vinyl vibes records ... after various successful 12inch releases on vinyl vibes, the label introduce their first artist album from curv. while in the past mixing organic and clubby elements, deeply rooted in soul and jazz, curv recently developed a stronger love for electronic music, splendidly reflected in this fantastic record. between here and nowhere is not just another electronic album as one might expect. it features a unique style of warm, analog sounding club music which makes perfect sense as a listening experience too. it would not be curv if jazz, funk and disco didnt feature, if he would not occationally mix the electronic beats with some natural sounding drums, the keyboards with some piano. but he is now putting all these things into an electronic context of house beats, naughty electro and even deep minimal. in between all of this you still find all those stunning little details that make his music curv-music in its very own & special way.

2010 release by this project from bristol-based musician scott hendy. anyone who has seen the recent bansky documentary exit through the gift shop has likely heard diego & the dissidents though they may not have realized it. an album that almost never saw the light of day, now resurrected just in time to see brilliant tracks such as -contaminated water pt. 4- and others add depth and intrigue to a film already featuring an -against all odds- theme.

florian keller ist einer der profiliertesten djs, die deutschland zu bieten hat. der m�nchner wurde bereits mit keb darge, gilles peterson oder theo parrish in einem atemzug genannt. seit 2002 veranstaltet er die clubnacht party-keller. dort geht es um funk und soul im block-party-style. party-keller vol. 3 f�ngt den vibe ein - mit vielen raren tracks, alt wie neu.

just a classic !! trip hop tip

we are proud to present >into the great wide yonder<, the second album of anders trentemoeller and the follow up of the highly succesful >the last resort< (2006). just like his debut, which struck a chord with new audiences all around the world, >into the great wide yonder< is a truly remarkable album, offering as much depth and soul as its predecessor, yet sounding ultimately fresh and different.

just a classic!

much anticipated debut album by detroit vocalist, producer, musician and dj on pb wolfs mighty stones throw imprint! regular jewecase version!

just a classic!

balearic soundscapes with detroid-techy influences!the quintessential cosmic compendium!

exile began his musical career in 2000, releasing drum & bass on labels such as beta and moving shadow, but as the years progressed, his sound started to become more complicated and abstract. this was mostly due to his obsession with the reaktor software, which enabled him to spend much of his time creating new and interesting sounds from scratch. his debut full-length, 2006s pro agonist, saw him add elements of breakcore to his constantly mutating yper-breakbeats, but that gradual change in style is nothing compared to the total departure that hes taken on listening tree. long-term fans may be shocked to know that listening tree is peppered with exiles own vocal tracks, as he tackles issues such as britains buy-now-pay-later culture, and even the dynamic nature of the universe on family galaxy, the first single. >family galaxy< is about the constant process of change that underpins everything, explains exile. its a tale from a thingless world where nothing stays the same. as now shines its shifting shades on then, so our ideas of what we have done and will do continually morph.the result is an eccentric electro-pop album that is just as likely to appeal to fans of hot chip as it is otto von schirach

best of compilation remastered for 2006!

das aktuelle album von mary j blige, eine der erfolgreichsten rnb-s�ngerinnen weltweit! produziert von ne-yo, dre und timbaland, incl. gastauftritten von ludacris und usher.

heavily pushed and supported by soulwax 2manydjs, lele is the freshest thing to come from holland since ice-skating. plays by diplo, busy p, 2manydjs, switch, carl craig, alexander robotnik, crookers, erol alkan, boys noize, christopher just, feadz, glimmers, alex technique, rex the dog, luke solomon, parker jones, hell, edu k, riton, heidi, joost van bellen, larry tee, dj funk, laidback luke, a-trak

incl m. buttrich / claude vonstroke / kabale&liebe /nick curly